The day you start running a shop on fear is the day
your shop is doomed
Thursday, August 2, 2012
Sunday, January 22, 2012
The ingredients for a successful Foursquare campaign

Alright, I don't have the actual result numbers to verify that this duet between Sam Adams and Buffalo Wild Wings was a success, but really, how could it not be? While some brands openly beg people to check in, like them on Facebook and follow them on Twitter without giving them a single good reason why they should, this effort hits all the main points you need to make a Foursquare campaign (or any social media promotion) a hit.
Right reward
How many times have you seen social media promotions for lame rewards like, "Check in on Foursquare every Wednesday this month to get a special access code to view an exclusive online video preview of some marginal crap we're gonna try to sell you?" This reward is beer. Beer is something people want. And free beer is something that people will do crazy things to get, like help friends move heavy appliances from third story apartment to third story apartment (God, I'm glad I'm not in college anymore). If you want your Foursquare campaign to work, you need to give the people something they actually want.
Right place
I'm sure this campaign was promoted elsewhere, but the touch point that touched me (no, not like that) was the handy dandy table topper pictured above. I'm at Buffalo Wild Wings drinking beer. If I come back on a certain night at a certain time, I could have that beer for free? Sold! If you're trying to inspire loyalty + repeat sales and make a slow shift busier, who better to help you out than the people who are already visiting your restaurant?
Right partner
It's beer at a sports bar. If I need to explain why that one works, you might want to go back to marketing 101...or just get out more.
Right time
Because Foursquare checkins include the element of time, you can not only influence WHAT people do, but WHEN they do it. I'm guessing Buffalo Wild Wings did this one to help fill their restaurants during a traditionally slow shift.
Sense of urgency
Perhaps just as smart as limiting which shifts the Foursquare campaign applies to, Buffalo Wild Wings has made another smart move here- limiting the free beer to the first 20 people to check in at the desired time. That makes the campaign easy to budget for (max= cost of 20 beers) and really encourages people to compete to be one of the first in the door. If you can come in anytime after 9pm on a Friday and get your free beer, what's the rush? If you have to be one of the first 20 in the door...well...just think about all those black Friday shopping videos you see on the news.
So, what about you? Have you encountered any Foursquare campaigns compelling enough you participated in them? Or even created one yourself? Let the world know in the comments below.
Tuesday, December 13, 2011
Smart Car copywriters borrow from another iconic ad campaign
I recently wrote about how several modern car manufacturers, including Smart, have been borrowing from an iconic VW Beetle campaign. Based on the web banner above, that's not the only place that the copywriters on the Smart Car account have been finding inspiration.
The Smart Car folks are also taking a page from 7-Up's classic "uncola" campaign. Want a different kind of soda? Get the uncola. Want a different kind of car? Get the uncar.I will say there's a subtle difference, as the 7-Up campaign used its "un" word as a noun to refer to the product. Smart, on the other hand, uses "uncar" as a made up verb that accompanies other "un" words that allude to consumer benefits.
This approach actually puts more focus on the consumer instead of the product and on actions vs state of being. And research has shown that messages focused on the audience that use action verbs (not passive being verbs) tend to be more effective.
So, the copywriters are certainly borrowing, but at least they're putting their own spin on it. Is it too close for comfort? I'll let you decide.
Labels:
advertising,
auto,
copywriting,
online,
Web
Saturday, November 26, 2011
Fiat takes copywriting hints from VW

The Fiat 500 may be relatively new compared to the VW Beetle, but the copywriters on the account are certainly channeling the famous Doyle Dane Bernbach ads from the early '60s.
Touting the wisdom of small. Slightly irreverent. Apparently challenging the status quo (even though there are plenty of small cars on the road today).
And the design- a simple, modestly sized product shot, unassuming type and plenty of white space.
VW and Mini have shown that the approach can work. I'm interested to see if "think small" can carry a third car to success, though it might be hard with TV ads like this.
UPDATE: "Small" has actually supported four car models. I forgot Smart is currently running this ad, probably because I assumed it was for the same tiny vehicle.
Labels:
advertising,
auto,
copywriting,
design,
Fiat
Monday, October 31, 2011
The sour side of in-store copywriting

Just wanted to share this nugget of in-store copywriting for Vlasic pickles I saw at my local grocery store. It's appropriately playful, and though not completely life-changing, makes you stop and think right before making you smile (assuming you like pickles). That's more than most in-store advertising will do.
Plus, kudos to media on the placement.
Saturday, October 15, 2011
Spanglish web banner writing 101
Monday, October 3, 2011
Reviewing Long John Silver's fresh tagline
Long John Silver's latest tagline is:
Sea food differently
Obviously combining the ideas of "see food differently" and "sea food" into a single thought, this tagline scores high for economy of words.
The tagline is often used in TV and radio spots in the first person by employees, or actors playing employees, that declare "I sea food differently." The first person usage conveys the idea that Long John Silver's is not only a different dining experience, but that the company's unique way of doing things permeates every corner of the company, or what executives might call a "top-down" adoption of the corporate vision.
All in all, I think this tagline is a win. It's short. It holds multiple meanings and something about it seems fresh, which can be hard to do in the often stale fast food category. My compliments to the copywriter.
Sea food differently
Obviously combining the ideas of "see food differently" and "sea food" into a single thought, this tagline scores high for economy of words.
The tagline is often used in TV and radio spots in the first person by employees, or actors playing employees, that declare "I sea food differently." The first person usage conveys the idea that Long John Silver's is not only a different dining experience, but that the company's unique way of doing things permeates every corner of the company, or what executives might call a "top-down" adoption of the corporate vision.
All in all, I think this tagline is a win. It's short. It holds multiple meanings and something about it seems fresh, which can be hard to do in the often stale fast food category. My compliments to the copywriter.
Labels:
advertising,
branding,
copywriting,
fast food,
slogan,
tagline
Monday, September 5, 2011
No typo immunity for the Fortune 100
It doesn't matter whether you're a small business with a few employees or a massive business with tens of thousands, it's always worth taking a second look for typos. Sooner or later they'll get you, but there are things you can do to keep them to a minimum.Print it out
While you should do this sparingly to avoid killing trees in droves, there's something about reading words on a printed page that makes typos jump out more than they do on-screen. So, if it's a particularly important piece, like an annual report, it may be worth printing out.
Put another set of eyes on it
The best thing you can do to avoid typos is to make sure that more than one person gives your piece a good read. Even the best copywriter or editor can miss something when they've been staring at the same piece for too long. In fact, when you're too familiar with the material, it can create a sort of familiarity blindness, where you're reading what you think your piece should say instead of what it really says. A fresh set of eyes can disarm this problem.
Put it down and come back
If you have the time, this approach can be almost as good as a second set of eyes. Step away from a piece for a while before editing it. It can give you the chance to look at it with fresh eyes, without all the baggage and context of writing it. Once you shed that baggage, you'll be exponentially more likely to find any typos you may have missed before.
Read it backwards
You won't catch many grammar errors this way, but it does wonders for finding spelling typos and words that simply don't belong.
Don't over-rely on spellcheckers
Spellcheckers are notoriously unreliable. They often don't recognize commonly accepted words, they can't update fast enough to keep up an ever-changing modern vocabulary and all too often they substitute the wrong word when trying to correct for grammar. Remember, a spellchecker is a tool, and an imperfect one at that. Make sure you're using the tool and not the other way around.
Thursday, August 18, 2011
Copywriting for mobile is like doing origami
You start with an entire page and carefully fold it in on itself until it's small enough to fit in your pocket
Friday, August 12, 2011
Does your copy carpet match your design drapes?
That said, you don't have to be a seasoned copywriter to see the disconnect on this landing page.
The design
The design is distinctively lighthearted, playing off the robot concept in the copy. Bright, upbeat colors and some pseudo-retro imagery go a long way to establishing a fun, friendly tone. I mean, who doesn't want to push a bright blue robot's red renew tummy button?
The copywriting
However, if you start reading the body copy under "Request a Quote," which can be read without a microscope here, you'll quickly discover an extremely dry, serious, technical tone. I find this truly unfortunate, since style aside, they seem to be saying the right things from a messaging perspective.
Why does it matter?
Fun, quirky design coupled with humorless, technical copy? The disconnect between the feel of the design and the tone of the copy creates dissonance. Dissonance breaks the user's attention and can lead them to spend more time trying to figure out why the happy dance-inducing landing page they were looking at reads as dour as a puritan minister giving a eulogy.
More importantly, anyone who's spent much time in marketing knows that every bump and slow down along the way to a conversion is a barrier that decreases a user's chance of taking the action you want them to.
Making sure the tone of your copy matches the personality of your design can be the difference between a marginal page and a good page or between a good page and a great page.
What can we learn from this?
Make sure to give every creative element the attention it deserves. Spending all your time and attention on one while largely ignoring the other will show. It's no different than showing up to a party in a suit coat and sweat pants.
Make sure the personalities of all the elements match. It doesn't matter how well designed a piece is or how well written the copy is if they don't match. The confusion your users experience will hurt conversions every time.
Tuesday, July 26, 2011
A Continental video disaster on the brink of success
Wow. I recently flew Continental/United for the first time in many years. I found my seat, got situated and waited a thankfully short time for takeoff. Being a Southwest flyer, I expected a steward or stewardess to come out and give us a witty take on safety precautions. However, as we started taxiing to the runway, a pre-recorded video caught me by surprise. It was a disaster on the brink of success. Let me explain.
Unrelatable talking heads
First, it was a talking head video. For those who don't know what a talking head video is, it's basically a video that features a single person, usually an indistinguishable executive in a nondescript suit, talking at the camera. No action. No quick movements. Just an executive, you and some talking points. There's a reason these videos have been fodder for satire for decades. They're ubiquitous, usually self-aggrandizing and rarely engaging. This video was no exception.
Doesn't my logo make you feel special?
Second, the background behind the executive of this particular video was a giant company logo. Nothing says "customers first" like a monolithic reminder of who's talking at you, right? YOU WILL HEAR THE MESSAGE FROM THE COMPANY. Perhaps I'm surprised because my usual airline takes such a lighthearted, friendly approach in comparison.
Copywriting for the boardroom
Third, the language was total corporate-speak. Phrases like "co-located facilities," "earn your business" and "your having chosen us" ooze a boardroom-first mindset. They take passengers out of what will hopefully be an enjoyable (read tolerable) flying experience by reminding them that their real value is as carefully segmented revenue streams.
Right message, wrong delivery
That said, the video was actually just a shade away from being a success. Despite the delivery, the video actually contained good points from a content perspective and clarified many merger questions that were probably lingering in consumers' minds. If they work on their style and presentation, this easily-lampooned video could be transformed into an informative winner.
What can we learn from this?
1) Use a relatable spokesperson. Hint: This probably doesn't mean an old white executive in a suit.
2) Give your set/background serious consideration. Hint: Big logos are like the blind date that never stops talking about him or herself.
3) Make sure your copywriter is writing for your core consumer, not your executive suite. Hint: If your mom doesn't know what it means, it's probably corporate-speak.
Unrelatable talking heads
First, it was a talking head video. For those who don't know what a talking head video is, it's basically a video that features a single person, usually an indistinguishable executive in a nondescript suit, talking at the camera. No action. No quick movements. Just an executive, you and some talking points. There's a reason these videos have been fodder for satire for decades. They're ubiquitous, usually self-aggrandizing and rarely engaging. This video was no exception.
Doesn't my logo make you feel special?
Second, the background behind the executive of this particular video was a giant company logo. Nothing says "customers first" like a monolithic reminder of who's talking at you, right? YOU WILL HEAR THE MESSAGE FROM THE COMPANY. Perhaps I'm surprised because my usual airline takes such a lighthearted, friendly approach in comparison.
Copywriting for the boardroom
Third, the language was total corporate-speak. Phrases like "co-located facilities," "earn your business" and "your having chosen us" ooze a boardroom-first mindset. They take passengers out of what will hopefully be an enjoyable (read tolerable) flying experience by reminding them that their real value is as carefully segmented revenue streams.
Right message, wrong delivery
That said, the video was actually just a shade away from being a success. Despite the delivery, the video actually contained good points from a content perspective and clarified many merger questions that were probably lingering in consumers' minds. If they work on their style and presentation, this easily-lampooned video could be transformed into an informative winner.
What can we learn from this?
1) Use a relatable spokesperson. Hint: This probably doesn't mean an old white executive in a suit.
2) Give your set/background serious consideration. Hint: Big logos are like the blind date that never stops talking about him or herself.
3) Make sure your copywriter is writing for your core consumer, not your executive suite. Hint: If your mom doesn't know what it means, it's probably corporate-speak.
Thursday, February 18, 2010
Quicky: Playing hard to get

Companies rarely like teasers, at least true teasers, which is unfortunate, because they tend to create a lot of buzz, circumvent traditional audience mental blocks and engage potential customers in ways that make them much more likely to open their wallets for you.
The marketing of the film Cloverfield is an example of this strategy used to great success.
Find out how they did it here
Labels:
advertising,
budget,
buzz,
Cloverfield,
movie,
PR,
teaser
Monday, February 15, 2010
Tagline full of fiber
Taglines are a place where many companies stumble. Even when a company name is conservative or just informational, there seems to be a temptation to go a little crazy when it comes to taglines, especially when a company works in the B2B arena. This is one such example.
Company: Third Coast Produce
Tagline: "Lettuce produce for you!"
Yes, the exclamation point is really part of it. Yes, the quotation marks are really part of it. And a double pun. Need I say more? I could pick fun at it, but they probably have great fruit and veggies. While it pains me to see a line like this rumbling around town scrawled across the sides of delivery trucks, I mostly wish I had the opportunity to help companies like this develop a line worthy of all the hard work they put into their businesses.
Company: Third Coast Produce
Tagline: "Lettuce produce for you!"
Yes, the exclamation point is really part of it. Yes, the quotation marks are really part of it. And a double pun. Need I say more? I could pick fun at it, but they probably have great fruit and veggies. While it pains me to see a line like this rumbling around town scrawled across the sides of delivery trucks, I mostly wish I had the opportunity to help companies like this develop a line worthy of all the hard work they put into their businesses.
Saturday, January 2, 2010
Quicky: Disney gives you the chance to pop Hannah Montana's cherry
Every large company needs to hire a person with a dirty mind (or figure out which one of their current employees already does) to keep things like this from happening.
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Labels:
brand equity,
branding,
cherry,
children,
Disney,
food,
grocery,
Hannah Montana,
kids,
oops,
packaging,
PR,
public relations,
retail
Tuesday, December 29, 2009
Shorter-word thesaurus

That long, complicated word too long for your carefully distilled, inspiring tweet? Then get a shorter word to stand in its stead with the handy shorter-word thesaurus known as Thsrs.
(disclaimer: shorter synonyms generated by Thsrs may cause confusion, loss of meaning, bland prose, flabby fingers, Hippopotomonstrosesquipedaliophobia and in some rare cases, loss of cultural flavor)
Sporks up to the Copywriting Underground
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Labels:
advertising,
copywriting,
making up words,
social media,
Twitter,
writing
Saturday, December 26, 2009
Quicky: 34 Punctuation Inspired Logos
Punctuation- it's not just for books anymore. Here's a collection of punctuation-inspired logos (we'll pretend to ignore the growing overuse of exclamation points in place as the letter "i").
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Labels:
branding,
grammar,
identity,
logo,
punctuation
Wednesday, December 23, 2009
Adweek: A tale of two Tigers

Adweek has naturally devoted a lavish amount of coverage on Tiger, but can't seem to make up their minds on whether or not recent events will negatively impact his image and earning potential. Here's one Adweek article where they say Tiger won't lose image points or sponsors from the public debacle and here's another from Adweek that says cutting Tiger is generating positive buzz for brands. So Adweek, which is it?
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Labels:
Adweek,
brand equity,
branding,
golf,
negative,
positive,
sponsorship,
sports,
Tiger Woods
Monday, December 21, 2009
Saturday, December 19, 2009
Irony in action: Climate Summit to create as much pollution as a small city

It seems attendees of the latest Climate Summit to be held in Copenhagen, Denmark have taken a page from the U.S. automaker playbook.
While huge numbers of government officials, journalists and celebrities flock toward the northern European city, they'll be doing it in an estimated 140 private jets, and more than 1,200 limos. It's so many limos, in fact, that the entire country of Denmark can't satisfy the demand, meaning that hundreds of limos will actually be imported (driven one at a time by single individuals) from hundreds of miles away in neighboring countries like Germany.
Evidently, these officials haven't taken any hints from the public flogging U.S. automakers endured when they took private luxury jets to Congressional hearings to beg for tax payer money to save their financially strapped companies.
All said and done, the Climate Summit has already become a public relations nightmare before the Summit has actually begun. Now it just remains to be seen if any of these officials and journalists care enough to adjust their behavior or if they will simply spew eco-speak from the podium that their actions can't back up.
Read more here.
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Labels:
climate summit,
cop15,
copenhagen,
denmark,
green,
irony,
limo,
limousine,
private jet,
public relations
Wednesday, October 21, 2009
Inching closer to quieter commercials
While most advertisers love turning the volume up to 11 on their TV commercials, few realize that the practice actually makes us hate TV commercials and the companies in the more, making us less likely to buy their products and more likely to skip the ads entirely. Counterproductive, isn't it?Well, more progress has been made toward quieting down TV commercials to a reasonable level as the Commercial Advertisement Loudness Mitigation Act, or CALM has now passed the House Communications Committee.
I'm sure many will fight it, but in reality, reasonable sound levels on TV commercials will lead to less muting, less skipping and less hating, which one can only assume would lead to greater ad effectiveness.
Read more about the CALM Act here.
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